A film based on Fernando Arrabal's 1960 play, an absudist update of the Crucifixion - Jesus is the lead in a garage band - should be dated by now. Its bizarre reversals of role and tone, its casual sex and even more casual cruelty, hark back to the style of earlier days, when WAITING FOR GODOT made tragi-comic meaninglessness both an art form and a social comment. The fact that...
把fetish串联得很流畅得片子俺都喜欢
朋克版的耶稣故事 主演alain bashung是个实打实的法国摇滚歌手
肤浅的令人尴尬 造型加分
導演的想像力非凡得很。管你是核災難過後,管你是警察鎮壓,以廢棄汽車為城牆的無政府主義音樂狂歡依舊。聽覺上發現不少電影配樂「越界」了,有時候化作演唱會的演唱錄像,有時化作演員對白中的自由爵士。總之,音樂也是一大亮點。
等待音乐,等待下雨,等待耶稣,等待一场世界末日!
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